Film

notes on MAZY

What is the human body able to sustain when subjected to devices that record sounds and images? And what can be done with the human body when it tends to evade the representational codes of these devices? MAZY (meaning “labyrinthine”), based on the choreography by Willi Dorner, offers three answers formulated with the dispositives of video, film and computer: videographic marionette, expressive filmic being and computerized trace of movement.

Réalisation

Norbert Pfaffenbichler

Statut

Sorti

Sortie

01/01/2003

Langue originale

Allemand