Film

Close-Up

Tasked to produce a short intro to my feature-length essay Cut, I turned to the origins of the close-up, in a scene featuring camera person Billy Bitzer and director D.W. Griffiths. How to live in this new body, with its cuts, its fissures and fractures?

Réalisation

Mike Hoolboom

Statut

Sorti

Sortie

25/11/2022

Langue originale

Anglais