Peter Wintonick
Peter Wintonick, director, producer, film editor, writer, director, journalist, and advocate, was a one-of-a-kind figure in the Canadian film industry. Wintonick started out as a precociously talented editor on commercial features before committing himself to documentary filmmaking. He became a highly regarded director-writer-producer and a mentor to numerous young filmmakers, as well as a globetrotting advocate and ambassador for socio-political documentaries. Involved in more than 100 films and media projects, he was perhaps best known for Manufacturing Consent: Noam Chomsky and the Media (1992). [The Canadian Encyclopedia]
Fotos
Películas (20)

Wintopia
2019 · Self, Director of Photography

Maneuvers in the Dark
2012 · Producer

Taqwacore: The Birth of Punk Islam
2009 · Editorial Consultant

Capturing Reality
2008 · Self

Second Sight
2008 · Executive Producer

Seeing is Believing: Handicams, Human Rights and the News
2002 · Director, Writer, Producer, Director of Photography
Cinéma Vérité: Defining the Moment
2000 · Director

The Street: A Film with the Homeless
1996 · Editor, Executive Producer
Ho! Kanada
1995 · Director, Writer, Producer, Editor, Sound Mixer, Director of Photography
A Case Study: Cambodia and East Timor
1994 · Director of Photography, Director, Producer, Editor
A Propaganda Model of the Media Plus Exploring Alternative Media
1994 · Director of Photography, Director, Producer, Editor
Concision: No Time for New Ideas
1994 · Director of Photography, Director, Producer, Editor
Holocaust Denial vs. Freedom of Speech
1994 · Director, Producer, Editor
Toward a Vision of a Future Society
1994 · Director, Editor
Noah Chomsky: Personal Influences
1994 · Director

Manufacturing Consent: Noam Chomsky and the Media
1992 · Director, Producer, Editor, Director of Photography

A Rustling of Leaves: Inside the Philippine Revolution
1988 · Editor

The Journey
1987 · Editor

Agency
1980 · Editor

In Praise of Older Women
1978 · Assistant Sound Editor, Editor
Series (0)
Sin créditos disponibles.


