Lucía Lamanna
Lucía Lamanna is a Venezuelan film editor, documentary filmmaker, sound designer, screenwriter, and educator. Trained in Audiovisual Communication at the Universidad Católica Andrés Bello, she began her career as a camera operator and editor working in Super-8, 16mm, and 35mm productions. Her editing credits include the documentaries Yo Soy el Otro, Venezuela, February 27, and 1992: The Un-covering (To Play or Be Played), as well as the feature film Maisanta. As a director, she has explored sensory documentary, visual arts, and social memory in works such as Vargas: The Traces of Water and From Piraeus to Gaza: Evocation I. Lamanna co-founded the film training institute COTRAIN in 1986 with filmmaker Liliane Blaser and has played a major role in audiovisual education in Venezuela. A founding member of several national film organizations, she has taught editing and documentary filmmaking in Venezuela, Cuba, Ecuador, and Italy, and developed the influential methodology “Composition of Editing,” focused on the creative, rhythmic, and dramaturgical dimensions of film editing. She has received multiple awards and honors for her contributions to filmmaking and film education.
Photos
Films (10)

Maisanta
2016 · Editor
1992-1993: La Rebelión Popular (Crónica de un Pueblo en la Calle)
2012 · Camera Operator

De Piraeus a Gaza
2011 · Director, Writer, Camera Operator, Editor, Sound
Palestina: cronología de una herida
2010 · Producer

Honduras, después del 28 de junio 2009
2010 · Director, Editor

I am the other
2008 · Writer, Editor

El Fantasma de la Libertad o cuánto valen 3 mil toneladas de uranio empobrecido
2005 · Director, Camera Operator, Editor, Sound Mixer

El último panfleto
1995 · Camera Operator, Editor

1992: El des-cubrimiento (jugar o ser jugado)
1993 · Editor, Assistant Director, Camera Operator

Venezuela, Febrero 27 (de la concertación al des-concierto)
1990 · Editor
Séries (0)
Aucun crédit disponible.
